Posts Tagged ‘Strat’
With so much programming required for my current project, I’ve been at my desk pretty much non-stop recently. That means basking in the glow of up to four screens at a time, which has started to occasionally induce headaches, eye strain etc… – symptoms of computer vision syndrome, a kind of studio tan for your eyes and brain.
I always have an amp by my desk for practice and warmup exercises, but in an effort to tempt myself away from working I’ve shelved my trusty Roland JC-50, and replaced it with the amp I bought with a year of shelf stacking money when I was 15 years old – my Mark IV Mesa/Boogie.
This amp provokes thought more than any other. I’ve had it for the best part of a decade, and played it just about every day through school and when I was at music college. I’ve played it with Strats, SGs, my Squier Esprit (in the picture above), and most of all Telecasters. I’ve played it with meters long pedal boards, in stereo rigs, and simply jacked into the front. When I played gigs in my teens, this was the amp that came with me.
Playing the Mark IV this evening, I wasn’t quite happy with my tone on any of the channels. Yes it’s a stadium amp, with more headroom than basically anything else out there, but I know from experience that it can kill at low volume too. For whatever reason, I just wasn’t feeling it this evening. Any tweaking session on this thing is at least a half hour tonal excursion, but spending time with my eyes off the screen is the aim of the game here so I dived right into it, and for about the millionth time I ended up in the same spot – T/M/B @ 7/4/4, gains at 7-8, lead drive at 8. Slightly scooped 750, edge off 6.6k, and a boost on 80 & 240.
How much of my life have I already spent tweaking this amp?!
The thing is, it always ends up sounding awesome. But next time I plug in, it’s just not going to feel quite there.
I love tweaking amp settings, so I’m cool with that aspect, and I do love the tones it spits out. Maybe it’s just that I know there are some real solid gold tones in there that makes it so frustrating. I’m so conscious of the fact that whatever tone I can get dialled in is, say, 85% as good as I’ve heard it at its best. For a 1 channel amp, 85% of a Boogie at its peak is still a cut above. But take that 85% times 3 channels and you get the niggling sense of ever-so-slight disappointment I feel every time I plug in.
I’ve had it crunch and sing like nothing else, and cleans which would kick the ass of a Twin (seriously). But in nearly 10 years I’ve never been able to get all three kicking in sync, and there’s a frustration that I’ve absolutely nailed how to get the amp sounding nearly as good as it can, but never achieved perfection.
As an aside, I could write for days about every aspect of the Mark IV that makes it the most powerful and versatile amp I’ve ever owned, and there’s no doubt that it’s my ‘desert island amp’…but damn! I feel like really mastering it it requires an approach that borders on the academic, so this can be considered as ‘entry one’ in the logbook of my quest to own the amp I’ve owned for so many years.
A couple of YouTube picks from this week, starting with this amazing look at John Mayer’s guitar rig. There’s some full-frontal Dumble action and 40 (!!) guitars on show, all in kinda-shaky 1080p HD. This is the rig John was touring with when I saw him in London a couple of years ago, and I can vouch for every single one of the considerable quantity of $$$ spent on this setup being absolutely worth it. Great player, great tone.
Sticking with the Way Huge Aqua-Puss theme, I happened across this amazing clip featuring some of the most exotic boutique delays out there. Scientific testing, quality recording and playing – really solid content. I’m very preoccupied with delays after hearing Mike Keneally’s tone on the Bakin’ at the Potato, so this video really hit the spot. The winner, for me, is the Roland SRE-555, but thinking practically I’ve dug the Aqua-Puss for ages now. Then again, the memory man is pretty sweet…this could get expensive.